In his autobiography, Bartók stated: “The outcome of these studies was of decisive influence upon my work, because it freed me from the tyrannical rule of the major and minor keys. His studies on folk tunes have been published since 1913. Bartók is therefore recognized as a co-founder of ethnomusicology. In addition to using the collected folk tunes in his compositions, Bartók also wrote about them as a musicologist in scholarly essays and books. A few documents are held at The Library of Congress, where Bartok performed at the Coolidge Auditorium in 1940. Today, you can find Bartók’s manuscript musical notations at the Bartok archives in Budapest, Hungary and in various US institutions, including the archives of Columbia University and Princeton University. He shared this interest in folk music with his contemporary Zoltán Kodály, who advised Bartók with his project. He asked people to perform songs for him, which he then wrote down. Source: Wikimedia.īartók first focused on folk tunes of Hungary, then expanded his explorations to Romania, Bulgaria, Slovakia, Serbia, and to Turkish and Arabic countries.
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